San giorgio maggiore at dusk print11/11/2023 ![]() ![]() His impressionistic reproductions are aligned more to sensory experiences than visual events. Monet's Venice sunset is drenched in the vibrancy of blues, yellows, and reds, with only the broadest of hints of detail or shape. San Giorgio Maggiore at Dusk is a powerful and paradoxical symbiosis of an artist losing his sight but consistently tuning his experience of light and vision. Monet encouraged his friends and acquaintances to see the world as a spattering of light, strokes of color forming a whole. The unfortunate affliction that plagued many artists seemed to have paradoxically matched with Monet's vision and with his 'impressions' which characterized his life's work. San Giorgio Maggiore at Dusk was painted during a time when Monet began to lose his eyesight from grey cataracts. The view across the bay is of the spectacular San Giorgio Maggiore, a church situated on an island. Monet created this impressionistic reproduction from sitting at the Hotel Brittania on the Palazzo Barbaro. ![]() His San Giorgio Maggiore at Dusk – also known as Twilight Venice – seascape was painted in 1908 in Venice during a road-trip with his wife, Alice. First escaping the raging Franco-Prussian War by fleeing to London with his mistress in 1870, Monet was captivated by the smog over the Thames, as well as the atmospheric coast of Normandy, and the dramatic luminance of the Mediterranean. The breadth of Monet's ambition and scope was only matched by his love of travel – always seeking out new lands, homes, and subjects for his vast, life-long experiment with the changing impressions of light on the canvas.Īfter establishing his family home at Giverny and beginning the creation of his famous garden, Monet traveled outside of France to seek new motifs and thematic subjects.
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